![]() All internet addresses given in this book were correct at the time of going to press. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Cover design: Terry Woodley Cover image © John Jude Palencar All rights reserved. xxi constitute an extension of this copyright page. For legal purposes the Acknowledgments on p. Parker and contributors have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. Parker BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2020 Copyright © Gregory J. Gregory Jerome Hampton 6 November 1968 – 29 November 2019 All that he touched, he changed. Butler and the Pedagogy of the Taboo Aryn Bartley 14 Finding the Superhero in Damian Duffy’s and John Jennings’s Graphic Novel Adaptation of Octavia Butler’s Science-Fiction-Postmodern-Slave-Narrative, Kindred Forrest Yerman Afterword Tananarive Due Index Citation preview Butler’s Themes of Reproductive Anxiety in Fan Writing Heather Osborne 13 A Space for Discomfort: Octavia E. Butler’s Unfinished Trilogy Ji Hyun Lee 12 The Pregnant Man Story: Echoes of Octavia E. Butler’s Parable Series Chriss Sneed 11 Trauma, Technology, and the Trickster: Reading Octavia E. Caldwell 10 Apocalypse, Afrofutures, and Theories of “the Living” beyond Human Rights: Octavia E. Butler’s Kindred Christine Montgomery and Ellen C. Butler’s Discourse on Colonialism and Identity:Dis/eased Identity in “Bloodchild,” Dawn, and Survivor Gregory Jerome Hampton PART THREE: IMAGO 9 Visualizing Dana and Transhistorical Time Travel on the Covers of Octavia E. Butler’s Lilith’s Brood Kitty Dunkley 7 Teaching the “Other” of Colonialism: The Mimic (Wo)Men of Xenogenesis Aparajita Nanda 8 Octavia E. Parker 6 Becoming Posthuman: The Sexualized, Racialized, and Naturalized Others of Octavia E. Butler’s “Bloodchild” and “Amnesty” Joe Heidenescher PART TWO: ADULTHOOD RITES 5 “I’m not the vampire he is I give in return for my taking”:Tracing Vampirism in Octavia E. Butler’s “The Evening and the Morning and the Night” Sami Schalk 4 Problematizing Consent in the Posthuman Era: Octavia E. Butler Feared Most about Human Nature Steven Barnes 2 “I want to live forever and breed people!”: The Legacy of a Fantasy Heather Thaxter 3 Interpreting Disability Metaphor and Race in Octavia E. Butler Scholarship was established in 2006 to enable writers of color to attend the Clarion Science Fiction Writers Workshop where Butler first got her start.Table of contents : Cover Contents List of Ill ustrations Contributors Foreword Acknowledgments Introduction Gregory J. She died in 2006 after sustaining a head injury in a fall outside her Seattle home. Butler was the only science fiction author honored with a MacArthur Foundation grant. Parable of the Sower (1994) received a Nebula Award nomination for Best Novel its sequel, Parable of the Talents, won the award in 1998. ![]() She also wrote the mainstream historical novel Kindred (1979). Butler’s books include the five Patternist novels (1976-1984) as well as the highly regarded Xenogenesis trilogy (1987-1989). ![]() As an African-American lesbian she enriched the genre by bringing race and gender to the foreground of speculative fiction and exploring subjects rarely addressed in sci-fi: racial inequality, politics, slavery and its cultural implications, sexuality, and sexual identity. A year later she received science fiction literature’s highest honors – winning both The Hugo and Nebula Awards – for her novella Bloodchild. In 1983 Butler won a Hugo Award for Best Short Story for Speech Sounds. At age 12, while watching the science fiction movie ‘Devil Girl from Mars,’ she decided she could write a better story: “I turned off the TV and proceeded to try, and I’ve been writing science fiction ever since.” She went on to become the first black woman to gain popularity and critical acclaim as a major science fiction writer. Raised by her widowed mother in Pasadena, Octavia Butler was a tall, shy, daydreamer who suffered from dyslexia. That's why I say one of the most valuable traits is persistence." You start out writing crap and thinking it's good stuff, and then gradually you get better at it. ![]()
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